The Sound and the Fury is a novel written by the American author William Faulkner. Published in , The Sound and the Fury was Faulkner's fourth novel, and was not immediately successful. In , the Modern Library ranked The Sound and the Fury sixth on its list of the best. DOWNLOAD EPUB Reading Faulkner: The sound and the fury · Read more The Sandman #7 Master of Dreams: Sound And Fury · Read more. Register for a free account. All our eBooks are FREE to download, but first you must sign in or create an account. Download.
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Oct 24, The sound and the fury by William Faulkner; 3 editions; First Borrow · DAISY for print-disabled Download ebook for print-disabled (DAISY). Project Gutenberg Self-Publishing - eBooks. Download. 1; 2; 3; 4; 5. QR link for The Sound and the Fury and as I Lay Dying. The Sound and the Fury is a novel written by the American author William Faulkner. It employs a number of narrative styles, including the technique known as.
The original CliffsNotes study guides offer expert commentary on major themes, plots, characters, literary devices, and historical background. The latest generation of titles in this series also feature glossaries and visual elements that complement the classic, familiar format. The Sound and the Fury tells the story of the decline of the once-aristocratic Compson family of Yoknapatawpha County, in northern Mississippi , as told in stream of consciousness by three brothers -- Benjamin, Quentin, and Jason. Summaries and commentaries guide you through each section of the novel, and critical essays help you understand the origin of the book's title, the structure of the book, and Faulkner's stream of consciousness style of writing. Other features that help you study include A section on the life and background of William Faulkner A special guide to the Benjy section -- the most difficult section of the novel Analyses of the major characters An additional critical essay on meaning through motif in the novel Review questions and essay topics Classic literature or modern modern-day treasure -- you'll understand it all with expert information and insight from CliffsNotes study guides. New Feature:
Luster came away from the flower tree and we went along the fence and they stopped and we stopped and I looked through the fence while Luster was hunting in the grass. They went away across the pasture. I held to the fence and watched them going away.
After I done went all the way to town to buy you that cake. Hush up that moaning.
Aint you going to help me find that quarter so I can go to the show tonight. They were hitting little, across the pasture. I went back along the fence to where the flag was. It flapped on the bright grass and the trees. They aint no more coming right now.
Lets go down to the branch and find that quarter before them niggers finds it. It was red, flapping on the pasture. Then there was a bird slanting and tilting on it. Luster threw. The flag flapped on the bright grass and the trees.
I held to the fence. If you dont hush up, mammy aint going to have no birthday for you. If you dont hush, you know what I going to do. I going to eat that cake all up. Eat them candles, too.
Eat all them thirty-three candles. The third section is narrated by Jason, the third child and Caroline's favorite. It takes place the day before Benjy's section, on Good Friday. Of the three brothers' sections, Jason's is the most straightforward, reflecting his single-minded desire for material wealth.
By , Jason is the economic foundation of the family after his father's death. He supports his mother, Benjy, and Miss Quentin Caddy's daughter , as well as the family's servants. His role makes him bitter and cynical, with little of the passionate sensitivity that mark his older brother and sister.
He goes so far as to blackmail Caddy into making him Miss Quentin's sole guardian, then uses that role to steal the support payments that Caddy sends for her daughter. This is the first section that is narrated in a linear fashion.
It follows the course of Good Friday, a day in which Jason decides to leave work to search for Miss Quentin Caddy's daughter , who has run away again, seemingly in pursuit of mischief.
Here we see most immediately the conflict between the two predominant traits of the Compson family, which Jason's mother Caroline attributes to the difference between her blood and her husband's: This section also gives us the clearest image of domestic life in the Compson household, which for Jason and the servants means the care of the hypochondriac Caroline and of Benjy.
April 8, , is Easter Sunday. This section, the only one without a single first-person narrator , focuses on Dilsey, the powerful matriarch of the black family servants. She, in contrast to the declining Compsons, draws a great deal of strength from her faith, standing as a proud figure amid a dying family.
On this Easter Sunday, Dilsey takes her family and Benjy to the 'colored' church. Through her we sense the consequences of the decadence and depravity in which the Compsons have lived for decades. Dilsey is mistreated and abused, but nevertheless remains loyal. She, with the help of her grandson Luster, cares for Benjy, as she takes him to church and tries to bring him to salvation. The preacher's sermon inspires her to weep for the Compson family, reminding her that she's seen the family through its destruction, which she is now witnessing.
Meanwhile, the tension between Jason and Miss Quentin reaches its inevitable conclusion. The family discovers that Miss Quentin has run away in the middle of the night with a carnival worker, having found the hidden collection of cash in Jason's closet and taken both her money the support from Caddy, which Jason had stolen and her money-obsessed uncle's life savings. Jason calls the police and tells them that his money has been stolen, but since it would mean admitting embezzling Quentin's money he doesn't press the issue.
He therefore sets off once again to find her on his own, but loses her trail in nearby Mottson, and gives her up as gone for good. After church, Dilsey allows her grandson Luster to drive Benjy in the family's decrepit horse and carriage to the graveyard.
The Sound and the Fury
Luster, disregarding Benjy's set routine, drives the wrong way around a monument. Benjy's hysterical sobbing and violent outburst can only be quieted by Jason, who understands how best to placate his brother. Jason slaps Luster, turns the carriage around, and, in an attempt to quiet Benjy, hits Benjy, breaking his flower, whilst screaming "Shut up! After Jason gets off the carriage and Luster heads home, Benjy suddenly becomes silent. Luster turns around to look at Benjy and sees Benjy holding his drooping flower.
Benjy's eyes are " In , Faulkner wrote an appendix to the novel to be published in the then-forthcoming anthology The Portable Faulkner. At Faulkner's behest, however, subsequent printings of The Sound and the Fury frequently contain the appendix at the end of the book; it is sometimes referred to as the fifth part.
Having been written sixteen years after The Sound and the Fury , the appendix presents some textual differences from the novel, but serves to clarify the novel's opaque story. The appendix is presented as a complete history of the Compson family lineage, beginning with the arrival of their ancestor Quentin Maclachlan in America in and continuing through , including events that transpired after the novel which took place in In particular, the appendix reveals that Caroline Compson died in , upon which Jason had Benjy committed to the state asylum; fired the black servants; sold the last of the Compson land; and moved into an apartment above his farming supply store.
The sound and the fury | Open Library
It is also revealed that Jason had himself declared Benjy's legal guardian many years ago, without their mother's knowledge, and used this status to have Benjy castrated. The appendix also reveals the fate of Caddy, last seen in the novel when her daughter Quentin is still a baby.
After marrying and divorcing a second time, Caddy moved to Paris, where she lived at the time of the German occupation. In the librarian of Yoknapatawpha County discovered a magazine photograph of Caddy in the company of a German staff general and attempted separately to recruit both Jason and Dilsey to save her; Jason, at first acknowledging that the photo was of his sister, denied that it was she after realizing the librarian wanted his help, while Dilsey pretended to be unable to see the picture at all.
The librarian later realizes that while Jason remains cold and unsympathetic towards Caddy, Dilsey simply understands that Caddy neither wants nor needs to be saved from the Germans, because nothing else remains for her. The appendix concludes with an accounting for the black family who worked as servants to the Compsons. Unlike the entries for the Compsons themselves, which are lengthy, detailed, and told with an omniscient narrative perspective, the servants' entries are simple and succinct.
Dilsey's entry, the final in the appendix, consists of two words: The four parts of the novel relate many of the same episodes, each from a different point of view and therefore with emphasis on different themes and events.
This interweaving and nonlinear structure makes any true synopsis of the novel difficult, especially since the narrators are all unreliable in their own way, making their accounts not necessarily trustworthy at all times.
Also in this novel, Faulkner uses italics to indicate points in each section where the narrative is moving into a significant moment in the past. The use of these italics can be confusing, however, as time shifts are not always marked by the use of italics, and periods of different time in each section do not necessarily stay in italics for the duration of the flashback.
Thus, these time shifts can often be jarring and confusing, and require particularly close reading. The title of the novel is taken from Macbeth 's famous soliloquy of act 5, scene 5 of William Shakespeare 's Macbeth:.
Tomorrow and tomorrow and tomorrow, Creeps in this petty pace from day to day To the last syllable of recorded time, And all our yesterdays have lighted fools The way to dusty death. It employs a number of narrative styles, including the technique known as stream of consciousness, pioneered by 20th-century European novelists such as James Joyce and Virginia Woolf.
Published in , The Sound and the Fury was Faulkner's fourth novel, and was not immediately successful. In , however, when Faulkner's sixth novel, Sanctuary, was published—a sensationalist story, which Faulkner later claimed was written only for money—The Sound and the Fury also became commercially successful, and Faulkner began to receive critical attention.
In , the Modern Library ranked The Sound and the Fury sixth on its list of the best English-language novels of the 20th century. Limit the size to characters. However, note that many search engines truncate at a much shorter size, about characters. Your suggestion will be processed as soon as possible. Faulkner wrote novels, short stories, a play, poetry, essays, and screenplays. He is primarily known for his novels and short stories set in the fictional Yoknapatawpha County, based on Lafayette County, Mississippi, where he spent most of his life.
Faulkner is one of the most celebrated writers in American literature generally and Southern literature specifically.
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